A GREAT GARDEN OF SLEEP - A Guided Tour of Brompton Cemetery

  • Brompton Cemetery

Description

  • Something A Little Different, Theatre/Arts and Walks & Tours
  • Tickets from £12.00
  • Fulham
  • n/a
  • Sunday 20th October 2024
  • 11:00 - 12:30

A Guided Tour of Brompton Cemetery with Robert Stephenson

London historian, folklorist and gravestone expert ROBERT STEPHENSON will lead a special tour to meet the famous and infamous residents of one of the country's finest gardens of eternal rest.

Following a Saturday stroll along colonnades modelled on St Peter's Basilica in the Vatican City, you will have the chance to inspect the mysterious Egyptian Courtoy Mausoleum, built by the eccentric Victorian inventor, Sam Warner which is rumoured to house a time machine and visit the grave of Keats’s muse Fanny Brawne, suffragette Emmeline Pankhurst and John Wisden, founder of the eponymous cricketing almanack, as you wander amongst the 35,000 burial plots.

Each ticket includes a 20% donation towards a host of restoration projects at Brompton Cemetery.

Robert Stephenson is a qualified City of London Culture and Heritage guide and a trustee at Kensal Green and Brompton cemeteries. He teaches on London and death studies. Robert is also chairman of the National Federation of Cemetery Friends.

 

Offers

Promotions

Tickets/Times

Ticket Event time Cost
A Great Garden of Sleep

Brompton Cemetery Tour

11:00 - 12:30 £12.00

Location

Address

Brompton Cemetery, SW10 9UG

Area

Fulham

Nearest Station

Fulham Broadway (Tube)

Organiser

A Curious Invitation and Antique Beat
This year Antique Beat and A Curious Invitation will be hosting The London Month of the Dead, a series of 36 different events investigating the capital’s relationship with its deceased residents. Events will include a private view of the Museum of London’s bone archive, taxidermy workshops, macabre walking tours and private views and a programme of weekend death salons with talks on subjects ranging from public dissection and body snatching to reincarnation and funereal folklore. Each salon will feature a pair of speakers, authorities in fields such as osteology, forensic pathology and the paranormal, who will offer their own perspectives and insights on mortality in the city. Each year the London Month of the Dead donates 20% of all ticket revenue to one of London's magnificent seven cemeteries. In 2017 all of the death salons and concerts will be hosted at the Dissenters and Anglican chapels at Kensal Green. In previous years the month's programme has centered around Brompton Cemetery but the chapel is now undergoing important restoration work, a project the London Month of the Dead is proud to have supported. The London Month of the Dead has been curated by a Curious Invitation and Antique Beat to inform, entertain and provoke on the subject of death and London cemeteries.

More from London Month of the Dead

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Customer Reviews (0)

Previous London Month of the Dead reviews

77% 186
15% 36
3% 8
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2% 4

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5

Based on 242 customer reviews

  • Written by Richard

    Rating: 5

    VERIFIED

    Visited 8 months ago
    This annual pre Christmas theremin concert has become a must see event in my festive calendar. I can think of no better environment for listening to this music than in the candlelit chapel at Guy's hospital . Always memorable and wonderful.
  • Written by Tania

    Rating: 4

    VERIFIED

    Visited 8 months ago
    Lydia Kavina was an absolute professional. Also the pianist was totally amazing. The actual performers exceeded my expectations. I think the organizer can improve on the following : 1. Letting people in on time. A long queue had formed, gone past the start time, the weather was freezing that day. I also heard one of the female staff tell off a woman at the front of the queue, for asking to be let in. She quipped 'patience is a virtue'. Actually very rude. 2. To provide some non alcohol based drink, like water 3. An extremely bright spotlight was positioned right next to Lydia, obviously to illuminate her equipment. Problem is that it was positioned so that it was shining directly into our eyes (left side as you look in). Blinding. Had to close my eyes for most of the performance. There seemed to be quite a few technical issues - e.g. mic not working on and off, sound adjustments throughout, light adjustments. All of that combined to distract the audience from the actual performance
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