WATERS OF ETERNITY - Guided Tour of Nunhead Cemetery

  • 1 review
  • Nunhead Cemetery

Description

  • Walks & Tours, Something A Little Different and Daytime
  • Tickets from £12.00
  • Over 18
  • Saturday 12th October 2024
  • Multiple start times (see ticket info)

With 52 acres and nearly 300,000 burials, Southwark’s Nunhead is the second largest of London’s magnificent seven cemeteries. Founded in 1840, just before a Cholera epidemic plagued the borough, Nunhead became a somber sanctuary entwined with tales of maritime connections due to the cemetery’s proximity to the Thames and her dockyards. The grandest tomb belongs to John Allan, a successful Whitby-born shipowner whose resting place stands as a grand testament to his maritime endeavours. The cemetery also houses the crypt of Bryan Donkin, a director of the Thames Tunnel Company, industrialist and inventor of the tin can.



Join us on a guided tour led by the London historian and graveyard expert, Keith Turpin, as he illuminates Nunhead Cemetery's maritime ties and uncovers its relentless struggle against the elements, exposing stories of flood damage and waterlogged crypt ledgers. Turpin will also shed light on a peculiar neighbour: a man-made hill boasting one of the best views of the capital beneath which lies a 15 acre reservoir owned by Thames Water.


Offers

Promotions

Tickets/Times

Ticket Event time Cost
Waters of Eternity - Morning

Morning Tour

11:00 - 12:30 £12.00
Waters of Eternity - afternoon

Afternoon ticket

14:00 - 15:30 £12.00

Location

Address

Nunhead Cemetery, Linden Grove, London, SE15 3LP

Organiser

A Curious Invitation
This year Antique Beat and A Curious Invitation will be hosting The London Month of the Dead, a series of 36 different events investigating the capital’s relationship with its deceased residents. Events will include a private view of the Museum of London’s bone archive, taxidermy workshops, macabre walking tours and private views and a programme of weekend death salons with talks on subjects ranging from public dissection and body snatching to reincarnation and funereal folklore. Each salon will feature a pair of speakers, authorities in fields such as osteology, forensic pathology and the paranormal, who will offer their own perspectives and insights on mortality in the city. Each year the London Month of the Dead donates 20% of all ticket revenue to one of London's magnificent seven cemeteries. In 2017 all of the death salons and concerts will be hosted at the Dissenters and Anglican chapels at Kensal Green. In previous years the month's programme has centered around Brompton Cemetery but the chapel is now undergoing important restoration work, a project the London Month of the Dead is proud to have supported. The London Month of the Dead has been curated by a Curious Invitation and Antique Beat to inform, entertain and provoke on the subject of death and London cemeteries.

More from London Month of the Dead

T&Cs

1. The ticket holder voluntarily assumes all risks and danger incidental to the event for which the ticket is issued, whether occurring prior, during or after the event. The ticket holder voluntarily agrees that the management, venue, event participants, DesignMyNight WFL Media Ltd and all of their respective agents, officers, directors, owners and employers are expressly released by the ticket holder from any claims arising from such causes.
2. Tickets are issued subject to the rules and regulations of the venue.
3. Please check your tickets, as mistakes cannot always be rectified.
4. Occasionally, events are cancelled or postponed by the promoter, team, performer or venue for a variety of reasons. If the event is cancelled, please contact us for information on receiving a refund from the responsible party. If the event was moved or rescheduled, the venue or promoter may set refund limitations. It is your responsibility to ascertain the date and time of any rearranged event.
5. The venue reserves the right to refuse admission and may on occasion have to conduct security searches to ensure the safety of the patrons.
6. Every effort to admit latecomers will be made at a suitable break in the event, but admission cannot always be guaranteed.
7. We regret that tickets cannot be exchanged or refunded after purchase.
8. Tickets are sold subject to the venue or promoter's right to alter or vary the programme due to events or circumstances beyond its control without being obliged to refund monies or exchange tickets.
9. If this ticket is re-sold or transferred for profit or commercial gain by anyone other than the promoter, venue management, DesignMyNight or one of their authorised sub-agents, it will become voidable and the holder may be
refused entry to or ejected from the venue.
10. The venue may operate a No Smoking Policy.
11. The promoter, venue management and DesignMyNight accept no responsibility for any personal property.
12. The event listed on the purchased ticket is strictly for ticket holders who are over 18 years of age. Identification may be required.

Customer Reviews (1)

Previous London Month of the Dead reviews

77% 186
15% 36
3% 8
3% 8
2% 4

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5

Based on 242 customer reviews

  • Written by Richard

    Rating: 5

    VERIFIED

    Visited 8 months ago
    This annual pre Christmas theremin concert has become a must see event in my festive calendar. I can think of no better environment for listening to this music than in the candlelit chapel at Guy's hospital . Always memorable and wonderful.
  • Written by Tania

    Rating: 4

    VERIFIED

    Visited 8 months ago
    Lydia Kavina was an absolute professional. Also the pianist was totally amazing. The actual performers exceeded my expectations. I think the organizer can improve on the following : 1. Letting people in on time. A long queue had formed, gone past the start time, the weather was freezing that day. I also heard one of the female staff tell off a woman at the front of the queue, for asking to be let in. She quipped 'patience is a virtue'. Actually very rude. 2. To provide some non alcohol based drink, like water 3. An extremely bright spotlight was positioned right next to Lydia, obviously to illuminate her equipment. Problem is that it was positioned so that it was shining directly into our eyes (left side as you look in). Blinding. Had to close my eyes for most of the performance. There seemed to be quite a few technical issues - e.g. mic not working on and off, sound adjustments throughout, light adjustments. All of that combined to distract the audience from the actual performance
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